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Now, we’ve got a wider musical vocabulary. “With the first album especially, we basically wrote songs and put them out. “Because of the time off, ENERGY has been a little more tactical,” Howard told Apple Music.
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Five years, a hiatus and several appetite-whetting EPs on, they did much the same with their third. This album left Smith anything but lonely in fact, the. In 2014, he released his first album titled, In the Lonely Hour. From there, Sam Smith’s career soon skyrocketed. The band’s second album, Caracal, arrived in 2015 to diversify and disrupt the Disclosure blueprint. He found inspiration through the likes of Aretha Franklin and Stevie Wonder Smith’s first single, Lay Me Down, was released in England in February 2013.
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Guy brought the intuitive, deeply satisfying production that delivered club credibility, while Howard’s songwriting instincts ensured an abundance of radio-friendly hooks for the duo’s tastefully curated vocalists, which included Smith, AlunaGeorge, Jessie Ware and others. Its power lay in the complementary talents of brothers born to a rock musician father and session singer mother. Their debut album, Settle, would top the UK album charts nine months later. Their first single, 2010’s “Offline Dexterity”, generated a lot of buzz for the two Surrey teens, but it was 2012’s genre-fluid “Latch” (which made good on an irresistible vocal from another fledgling UK talent, Sam Smith) that cemented their status as British dance music’s new standard-bearers. “It was the music that we wanted to be famous, and the more work we did, the better chance it had.” While their musical peers James Blake and Mount Kimbie were redirecting dubstep towards a more organic, instrumental style, Disclosure looked to ’90s house and UK garage as inspiration for their developing sound-one that had reverence for the past but still aimed to push things forward. “It was never our intention to be famous,” said Guy. It’s a bit of a surprise admission considering that he and his brother Howard-who was just 15 when they released their first music as Disclosure-were hugely responsible for reinvigorating house music in the UK in the early 2010s. As the night made clear, the point of this concert was never to revel in this man’s heartache, but to celebrate his arrival as a bonafide star.“I’ve always felt that the dance music scene is too cool for us,” producer Guy Lawrence told Apple Music in 2020. Couples appeared transfixed, men sang along to every word and tween girls shrieked whenever Smith waved hello. Smith, poised pop traditionalist, sang as a few dozen people, young and old, headed to the front of the theater for either selfies or smartphone footage.
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To his credit, this set-up was indeed striking, as Smith sang album cuts “Good Thing” and “Lay Me Down,” plus a cover of 1937 show tune-turned-jazz standard “My Funny Valentine.” His insistence on sounding and appearing timeless only backfired when he performed his ballad version of Naughty Boy’s “La La La,” a dance hit that now seemed to drag on. He insisted that he wanted to be more “natural,” so without the band’s fanfare for once. Not that they would have cared, either.Īfter “Restart,” Smith stood by a grand piano. Smith chose to re-release the single after the success of his album. “I haven’t always been this depressed child,” he said, though the crowd could have guessed just as much. Smith rounded out the album sampling with his latest single, Too Good at Goodbyes - which sparked another passionate, word-for-word audience sing-along. Lay Me Down Words & Music by James Napier, Sam Smith & Elvin Smith 'Lay Me Down'. His voice glided through even his saddest songs.
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(He appeared more at ease when he was singing Destiny’s Child at karaoke last fall, but at least he tried.)ĭuring torch song “I’ve Told You Now,” Smith lowered a crucial line – “Why do you think I come ’round here on my free will?” – by a full octave, so that he didn’t sound as anguished. The disco-lite “Restart” prompted a dance breakdown from Smith and his three back-up dancers: step right, step left, back, front, pose. But in this live setting, missed connections appeared to be the last thing on his mind. Smith sings of heartache with great care, trying to wrench emotion out of every note. He may have become famous last year for singing of unrequited love, but his 75-minute set of album cuts and cover songs was nothing short of triumphant. Yet in everyone’s minds, Smith had already won.